On the Oceans of Eternity (Island in the Sea of Time)

Amazon.com Review
In the bestselling Island in the Sea of Time, 20th-century Nantucket was inexplicably hurled back to the Bronze Age. In the sequel, Against the Tide of Years, the villainous renegade William Walker introduced muskets, cannon, and other deadly anachronisms to Odysseus's Greece, making himself king and positioning himself to overthrow the democratic Republic of Nantucket and destroy his archenemy, Commodore Marian Alston. Now, in the trilogy's rousing conclusion, On the Oceans of Eternity, Walker's powerful army conquers Troy and invades Babylon, Nantucket's last great ally, as Walker's blood brother, the king of Tartessos, blocks Commodore Alston's Nantucket navy at the straits of Gibraltar. If Nantucket's tiny forces cannot defeat Walker's army and allies, the world will be plunged into a Dark Age bleaker and more devastating than any known in our history. On the Oceans of Eternity ends cleanly, yet leaves the door open for a number of interesting sequels--and how often can you say that? Like its prequels, On the Oceans of Eternity is big, bloody, and ambitious, but always fast-paced and fascinating. This fun, intelligent series is perfect not only for action-adventure, alternate history, time travel, and military-SF fans but also for epic fantasy readers, for Burroughs and Haggard fans craving a modern update of the lost-civilization novel, and for anyone who loves Patrick O'Brian's sensational sea battles. --Cynthia Ward --This text refers to the Mass Market Paperback edition.

From Booklist
With this book Stirling probably concludes a time travel^-alternate history saga that has met with great enough acclaim, however, to merit promotion to trade paperback or hardcover format should he continue it. The premise is that Nantucket has been tossed back to about 1400 B.C., with the Coast Guard tall ship Eagle in tow just offshore. From this, a new and different time line commences, one complicated by outbreaks of measles and smallpox, the inhabitants' shrewdness, stark treason on the part of one of the time-displaced band, thuggish genius William Walker, and the parallel introductions of diversity and women's rights with those of the steam engine and the ironclad. Readers of this book's predecessors, Island in the Sea of Time (1998) and Against the Tide of Years (1999), will find the same strong characterizations, high historical scholarship, superior narrative technique, excellent battle scenes, and awareness of social and economic as well as technological factors in evidence again. Newcomers will feel compelled to retreat to the saga's beginning. Roland Green --This text refers to the Mass Market Paperback edition.